☙ Egon Schiele, Du croquis au tableau, les carnets

1990 - Christian M. Nebehay

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☙ Egon Schiele, Du croquis au tableau, les carnets

✑ Christian M. Nebehay

EGON SCHIELE, DU CROQUIS AU TABLEAU, LES CARNETS

Published in 1990 by Adam Biro editions, this work constitutes a major contribution to the study of Egon Schiele's (1890-1918) oeuvre, an emblematic figure of Austrian Expressionism. Christian M. Nebehay, a Viennese art dealer and recognized Schiele expert, offers here an in-depth exploration of the artist's sketchbooks, precious documents that reveal the intimacy of his creative process. The work illuminates Schiele's journey from preliminary sketches to finished paintings, thus offering a unique perspective on his working method and artistic evolution. This book belongs to a tradition of scholarly studies devoted to modern art masters, allowing researchers, collectors, and art lovers to understand the genesis of artworks. The careful reproductions of the sketchbooks, accompanied by detailed analyses, make this work an indispensable tool for anyone interested in Viennese Expressionism and early twentieth-century art. The editorial quality of Adam Biro, a renowned house for its artistic publications, guarantees a presentation worthy of the historical and aesthetic importance of the subject.

Why add it to your collection?

Reference document on Egon Schiele's creative process, revealing the evolution from sketches to final works

Carefully compiled edition by Christian M. Nebehay, renowned expert and Viennese art dealer specializing in Schiele

Reproductions of sketchbooks rarely accessible to the public, offering intimate insight into the artist's working method

Essential work for understanding Austrian Expressionism and the artistic evolution of one of its masters

Quality French edition published by Adam Biro, prestigious publisher specialized in fine arts

Description

Historical and biographical context

Egon Schiele, born in 1890 in Tulln, Austria, remains one of the most provocative and influential artists of Viennese Expressionism. A student of Gustav Klimt, he quickly developed a personal style characterized by angular lines, contorted poses, and an uncompromising exploration of sexuality and the human condition. His meteoric career, cut short by his premature death in 1918 during the Spanish flu epidemic, nonetheless left a remarkable body of work. Christian M. Nebehay, author of this work, devoted his life to the study and promotion of Austrian art from the turn of the century, publishing numerous reference works on Schiele and his artistic circle.

Structure and content of the work

This work is distinguished by its methodical approach to Schiele's creative process. Nebehay examines the artist's sketchbooks, those working documents where one can follow the evolution of an idea from rapid sketch to final realization on canvas. The book presents high-quality reproductions of these notebooks, allowing observation of the artist's annotations, revisions, hesitations, and decisions. This approach reveals a lesser-known facet of Schiele, showing the rigor and reflection that underpinned his seemingly spontaneous work.

The reproductions are accompanied by scholarly commentary that places each notebook in its biographical and artistic context. Nebehay establishes connections between sketches and known final works, thus allowing reconstruction of the artist's creative itinerary. The work also includes introductory essays that place Schiele's oeuvre in the broader context of Viennese Secession art and European Expressionism.

Importance for collectors and researchers

This book represents an invaluable resource for anyone interested in early twentieth-century art. For collectors, it offers essential keys to understanding authentication and appreciation of Schiele's works. For art historians and researchers, it constitutes primary documentation of paramount importance, providing access to materials rarely exhibited or published. The French edition by Adam Biro, a Parisian publishing house founded in 1981 and renowned for its quality art books, ensures careful distribution of this scholarly work in the French-speaking world.

The editorial presentation meets the highest standards: solid binding, quality paper allowing faithful reproduction rendering, clear layout facilitating consultation. These characteristics make this work not only a working tool but also a bibliophilic object worthy of a specialized collection.

Mark it for later — it might just be waiting for you!

One collector is watching this piece.